Editorial : Recommendations


Agnieszka Pilat, “ROBOTa”
The exhibition is, on the face of it, a selection of mixed media paintings. But the real subject and medium are robots. Agniezka Pilat makes more...

Matthew Cerletty
The paintings of Matthew Cerletty's "True Believer" are precise, even sculptural objects devoid of emotional baggage. more...

Annie Lapin, "Contours of the Vast"
Annie Lapin’s new paintings nevertheless present a novel vision of the way our thoughts, memories, and observations inhabit and intera more...

Cindy Sherman, 1977-1982
The early photography of Cindy Sherman remains both a personal and art historical high water mark. Andy Brumer asked how such familiar, and more...

Jordanna and the Masters of Photography
Jordanna Kalman makes use of 20th century male photography masters to zero in on women's historical disenfranchisement -- with the ambition more...

Stas Orlovski
Stas Orlovski has deployed a vocabulary of motifs — waves, vortices, plants, and more — to create poetic depictions of conscious more...

"Off-Kilter"
"Off-Kilter's" group of artists present a gratifying response to conceptual art history. It embraces that history with extra doses of whimsy more...

An Te Liu, “Low Fidelity”
An Te Liu fashions his sculptures into images that draw from his childhood and reference ancient artifacts and modernist sculpture. more...

Kelly Berg
Kelly Berg's luminescent landscapes are donated by pyramids and other triangular structures integrated into natural settings. more...

Liz Ward, "Silver River"
The Mississippi River is the dominant and consistent theme of Liz Ward' current work. The river traverses these mixed media works as a meand more...

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