Go Woon Choi, Everyday Life
Go Woon Choi's recent body of work is a unique exploration of everyday objects. Her interest in common objects is rooted in her idea that "even common objects can appear strange and fantastic under different light conditions and environments". Transforming ordinary objects into extraordinary visual experiences, Choi concentrates on the reflection of light and silhouettes of her imagery. Buttons, clips, toys and metal objects in her paintings are depicted in close-up views and compositions that give the objects a new life.
Honing in on minute details, each object is substantially represented while the various, objects are combined into one surreal construction; building a hybrid form of semi-abstraction. The monochromatic colors in the background stresses the silhouette of the whole image, whereas the imagery itself continues to develop beyond the canvas. Subsequently, the changing light on the surface give an impression as if the form is motion.
Choi's exhibition, entitled Everyday Life, began as a composition of objects, we all see around us. "Artists reinterpret the subject of art by imbuing artistic recreation in different elements of our daily life. Our interpretation was not a concept learned in school, but what our eyes have seen and our senses have felt."
Michael Knight, Superstitious
In his latest body of work entitled Superstitious, artist Michael Knight explores the ideas behind our superstitions, myths, and beliefs. Reacting to the world around us in irrational ways seems an easy thing to do. Frightened by that which is unknown and mysterious, we establish belief systems, customs and notions meant to help us cope with and control that which we do not understand; circumstances we wish to influence.
From our lucky shirts and magic numbers to the avoidance of ladders and black cats we establish rites and rituals to protect us. From whim to obsession, from the scratching of lines on the stone walls of Lascaux to the etched marks depicting the talismans and traditions collected in this exhibit, we hedge our bets seeking safety and good fortune. Meanwhile the laws of nature reveal most of this to be non-sense and fate and chance exert their strong grasp as we struggle to avoid bad luck.
Elyse Wyman, Sign Language
In her latest body of work entitled Sign Language, Elyse Wyman explores the dynamics and interrelationships of female identity, sexuality, gender stereotypes, and self-worth. Wyman's sculptures illuminate a deeper emotional level generally hidden by the more carefully managed armor we display to the outer world. The transparent forms in her work reveal the female torso as both physical and psychological containers, as well as allegorical muse.
Throughout this new work Wyman fuses separate entities to reveal things we often take for granted. Seemingly ordinary road and warning signs take on new meaning when placed inside the female form. This intersection of disparate elements results in new, sometimes impishly humorous interpretations. Layered with significant objects, paintings, and personal fragments, the torsos expose the female figure to deeper scrutiny, functioning as both object and subject. These visual double entendres demonstrate how context can determine meaning and how meaning changes according to context.
