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Editorial: Reviews
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“There is No Alas Where I Live”
The title of this show of nine contemporary Bay Area photographers, “There is No Alas Where I Live,” is taken from Theodore Roet more...

Alejandro Diaz
Following an ambitious show, Alejandro Diaz fell into a depression that ground his work to a halt. This show is what he did to get going aga more...

Manuel Álvarez Bravo
This relatively small selection still manages to include much of what made Manuel Alvarez Bravo one of the 20th century's great photographer more...

Ray Mack
Newcomer Ray Mack makes zany narrative tableaux that are hilariously warped quotations of images familiar from art history. more...

Connie Goldman and Mikey Kelly
They make a compelling argument for formalist practice: quality execution that explores painting with creative flair. more...

“Kinesthesia"
The retro-futuristic flavor of “Kinesthesia: Latin American Kinetic Art 1954-1969” is well suited to its Palm Springs host city. more...

“Future Shock”
SITE Santa Fe itself is part of the story, reopening after more than a year of new construction with "Future Shock," whose ten artists prese more...

“Hope + Trauma in a Poisoned Land”
Symbol-laden works by Diné (Navajo) artists and others deal head-on with a sensitive issue and its deleterious effects: uranium minin more...

“Past/Future/Present”
The vibrancy of Brazilian contemporary art is on full display in “Past/Future/Present,” the first large-scale U.S. appearance of more...

Shawn Huckins
Pre-20th Century American portraiture is defaced with smart phone phrases and graphic icons in Shawn Huckins’ canceling of historical more...

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