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Editorial: Columns


Keeping an Eye Open
DeWitt Cheng introduces us to English essayist Julian Barnes' fluent, conversation commentary on art. more...

Refrigerated Art
Two installations, one by Mary Corse, another by Adrian Villar Rojas, employ refrigeration to interesting and divergent purpose. More than t more...

“Annus Horribilis”
James Yood looks back as "a year of disaster or misfortune," the hopeful note for the art world being the current administration's indiffere more...

Seattle’s Best of 2017
Matthew Kangas revisits Seattle's top exhibitions of 2017, and discovers a scene currently in a state of exceptional flux. more...

Polychromed
This time the Legion of Honor gets it right. "Gods in Color: Polychromy in the Ancient World" takes down a long misconstrued cultural myth. more...

What Museum-goers Really Want: Ice Cream
A new study of public cultural habits revealed that art has, for a majority of Americans, become just another form of entertainment. And not more...

The Greatest Rediscovery?
The rediscovered da Vinci portrait of Jesus goes up for auction, and a new biography's film rights promise a big 21st century moment. more...

Andrew Wyeth’s Darkness and Light
Painted primarily in opaque tempera or watercolor, Andrew Wyeth's landscapes, portraits, interiors, and still lifes are ethereally delicate, more...

An Antidote for Our Woes
Yayoi Kusama's "Infinity Rooms" are among the finest, and certainly most popular examples of the genre of interactive or immersive installat more...

Reversing the Gender Mirror
The reverberations of aesthetically driven feminism are apparent in the current discussion surrounding sexual harassment. more...

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