5905 Wilshire Boulevard
Los Angeles, CA 90069
Michael Govan Director
Monday, Tuesday, Thursday, 11am-5pm; Friday, 11am-8pm; Saturday & Sunday, 10am-7pm; closed Wed.
April 15, 2018 - July 29, 2018
David Hockney: 82 Portraits and 1 Still-Life”
In 82 Portraits and 1 Still-life, David Hockney offers a vibrant and intimate view of people with whom he has developed relationships over the past 50 years.
May 6, 2018 - September 9, 2018
In the Fields of Empty Days
Exhibition examines the appropriation of the past, in the context of the present, by assembling 125 works in a variety of media—photography, painting, sculpture, video, posters, political cartoons, animation, and historical illustrated manuscripts.
May 20, 2018 - September 16, 2018
Decoding Mimbres Painting: Ancient Ceramics of the American Southwest
This exhibit will feature over 50 examples of the finely painted ceramic wares produced by the Mimbres people in the region of southwestern New Mexico between 850 and 1150 CE.
June 3, 2018 - September 16, 2018
The Chiaroscuro Woodcut in Renaissance Italy
Displaying exquisite designs, technical virtuosity, and sumptuous color, chiaroscuro woodcuts are among the most striking prints of the Renaissance.
June 24, 2018 - February 24, 2019
To Rome and Back: Individualism and Authority in Art, 1500–1800
Exhibit reveals the depth of Rome’s impact from the Renaissance to the Enlightenment, before rising individualism, internationalism, and optimistic equilibrium between secular and religious forces caused the city’s ultimate marginalization.
July 15, 2018 - March 31, 2019
3D: Double Vision
The quest for perfect 3D representation drives innovation, stimulates creativity and sparks wonder in generation after generation. This is the first American exhibition to survey a full range of artworks that produce the illusion of three dimensions.
To serve the public through the collection, conservation, exhibition, and interpretation of significant works of art from a broad range of cultures and historical periods, and through the translation of these collections into meaningful educational, aesthetic, intellectual, and cultural experiences for the widest array of audiences.
Los Angeles County Museum of Art [LACMA], Los Angeles, California
Preview by Molly Enholm
Among the most prestigious of a Chinese scholar’s personal assets, Lingbi stones are naturally formed ro
Design in California and Mexico, 1915-1985
“Los Angeles to New York: Dwan Gallery, 1959-71"
"Storytelling in Bali: Paintings from the Bateson-Mead Collection"
"German Art in the Age of Dürer and Cranach”
“Physical: Sex and the Body in the 1980s”
“Drawing in L.A.: The 1960s and 70s”; Ed Moses, “Drawings from the 1960s and 70s”
“See the Light — Photography, Perception, Cognition”
Is Zumthor's Austerity Right for LACMA?
Myths In and About Surrealism
Joseph Bueys, 'Multiples'
Pompeii and the Roman Villa
Art of Two Germanys/Cold War Cultures