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Art Museum

de Young Museum

50 Hagiwara Tea Garden Drive
Golden Gate Park
San Francisco, CA 94118

Email: Email venue
Phone: (415) 750-3600
Fax: (415) 750-3613

Tuesday - Sunday, 9:30am-5:15pm; Friday (Mar 29 - Nov 29) 9:30am-8:45pm.


August 15, 2018 - November 10, 2019
Specters of Disruption
This exhibition is the result of an inquiry into the shared encyclopedic collections of the de Young and Legion of Honor museums, performed with an eye toward patterns that might suggest a storyline within a collective institutional subconscious.
March 9, 2019 - January 26, 2020
Matt Mullican: Between Sign and Subject
Trying nothing less than to “organize the world” and make sense of his existence, Mullican invented a personal cosmology tin which colors indicate different orders or “worlds.”
July 11, 2019 - September 21, 2019
Ed Hardy: Deeper than Skin
This museum retrospective of the renowned tattoo artist surveys Hardy’s life in art that has as its inspiration both traditional American tattooing of the first half of the twentieth century and Japan’s ukiyo-e era culture.


Founded in 1895 in San Francisco’s Golden Gate Park, the de Young Museum has been an integral part of the cultural fabric of the city and a cherished destination for millions of residents and visitors to the region for over 100 years.

On October 15, 2005, the de Young Museum re-opened in a state-of-the-art new facility that integrates art, architecture and the natural landscape in one multi-faceted destination that will inspire audiences from around the world. Designed by the renowned Swiss architecture firm Herzog & de Meuron and Fong & Chan Architects in San Francisco, the new de Young provided San Francisco with a landmark art museum to showcase the museum’s priceless collections of American art from the 17th through the 20th centuries, Textile arts, and art of Africa, Oceania, and the Americas.


No Ire When You See the Whites of Her Eyes

Column by Richard Speer
Richard Speer's visit with "Girl with a Pearl Earring" differed surprisingly from impressions left by its repr

Past Editorial

No Ire When You See the Whites of Her Eyes


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