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Malia Landis &
Wesley T. Wright
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NATURAL PARADOX
island offerings and
animal guides |
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Through March 24, 2018
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Artists' Walk-Through:
Saturday, March 17, 1-3pm
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Enjoy the refreshments as Malia Landis and Wesley T. Wright walk us through the gallery discussing their work.
Join the walk-through at any time.
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Wesley T. Wright, "Echo," 2018,
stoneware, 19 x 15 x 8"
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Malia Landis and Wesley T. Wright's ceramic and mixed media works explore the paradox of our desire to participate in and experience the natural world even though the natural world we think we long for doesn't really exist. Having intervened in the natural order for thousands of years, affecting flora and fauna in so many ways, consciously or not, we don't necessarily know what is natural at all. The work is, to some degree, a response to the distress produced by environmental change and that yearning for a connection to nature that is rapidly disappearing. Nature, however, finds new ways to evolve and transform.
Born on the California coast and growing up as a transplant in Hawaii, Malia Landis is attuned to the sense of beauty and wonder of the plants and wildlife native to both coasts, or perhaps not that native after all. Invasive species crowd out the native over time, brought from one place to another by human intercession. Landis' exquisite porcelain and mixed media works invite a close look at the delicate birds, flowers and shells that coexist in this ever changing and not so very natural world. The fine detail of these island offerings implies a delicacy and tenuousness to their existence, while at the same time the porcelain and other materials have a surprising strength and longevity.
Wesley T. Wright's bold ceramic and mixed media works employ powerful symbols of the animal kingdom, jarring a consciousness of the ongoing struggle between man and nature, given that man is also a force of nature. Revered for centuries as guardians and guides, coyotes, wolves, owls and other totem animals here serve to point the way toward potential futures. Wright researches the myth and meanings associated with his subject matter and then responds intuitively and with a sense of humor as the pieces emerge. Beneath their obvious characterizations, these animals hold many layered meanings as stand-ins for ourselves, and our current social experiences. In viewing them we can consider the adaptations that may be required for us to evolve and survive, or our failure to address the consequences of our influence.
While serious about subject matter and technique, Landis and Wright share a whimsicality and sense of humor quite evident in their collaborative works, also on view. Light hearted and playful, the work leaves plenty of room for hope and joy in the paradox of nature.
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Andrea Way, "Coney Island Skies," 2016,
ink on paper, 33 3/4 x 25 1/5" framed
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Dharma Strasser MacColl, "Castello-Brera," (detail), 2018, gouache, felt, thread
on paper 50 x 49"
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Dharma Strasser MacColl
Roam
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| Featuring new ceramic sculpture and works on paper by Bay Area artist Dharma Strasser MacColl, Roam was inspired by an unexpected year living in the Netherlands – an homage to a year of wonder and wanderlust.
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Amanda Marchand
True North
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| Featuring a new artist book and recent photographs by New York-based artist and writer Amanda Marchand, True North was made during a residency in rural Finland and captures a state of mind rather than specifics of place.
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March 4 – May 19, 2018
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Helen Rousseau (American, 1895-1992), "Houseboats," Belvedere, acrylic, 40 x 30"
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Helen Rousseau
(American, 1895–1992)
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Rousseau was a Prominent
Bay Area Figurative
Modernist Artist |
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Representing Art of the 19th and 20th centuries, with a specialty in works
by California Artists.
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Appraisers Association of America
since 1987
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Guy Diehl, "Still Life with Robert Delaunay #3," 2017, acrylic on canvas, 30 x 36"
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Guy Diehl
Art About Art: A Luminous Pursuit
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March 1 – 31, 2018
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As art about art, Diehl's paintings explore different artistic movements across recent history, often by referencing other artists within the composition itself. |
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READ MORE |
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Jacques Villeglé, "Rue du Cotentin," 1958, décollage mounted on canvas, 22 1/2 x 16 1/8"
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Jacques Villeglé
Décollages from 1956-2000
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March 15 – April 28, 2018
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Ned Evans, "Aran," acrylic and mixed media
on canvas, 20 x 16"
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Ned Evans & Jeff Metz
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Through March 16, 2018
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Ned Evans effortlessly integrates fabric, acrylic paints, and various materials to create complex interplays of varying surface structures and compositions.
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Jeff Metz' current sculptures focuses on generating a unique interaction between rigorous geometry and fluid movement.
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Canan Tolon, "Untitled 5.1," 2017,
oil on canvas 76 x 119"
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Canan Tolon
Where Were We
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Through March 17, 2018
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Referring to the point in which we lose our train of thought, Where Were We explores the moment we pause to mentally pivot toward the past in an attempt to
reposition ourselves in time and place. It is a moment to find our bearings and
regain or recreate perspective. We wonder, where were we before the picture broke
into a kaleidoscopic discord of pieces, scattering our thoughts and making us
momentarily amnesic of the present? |
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Canan Tolon captures this instant in her abstract works, composing each canvas
with layers of repetitive marks, and creates a visual effect similar to photographic
reproductions, as if a camera had snapped a picture just as we lost our way. |
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READ MORE |
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Kara Maria, "Innumeral Infinite Songs," 2016, acrylic on canvas. 60 x 60"
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Kara Maria
Post-Nature
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Media Room:
LigoranoReese
Certainty of Ambiguity
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Through March 17, 2018
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Upcoming
Chester Arnold
Borderline
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Media Room:
Andy Diaz Hope
and Laurel Roth Hope
The Woulds
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March 24 – May 5, 2018
Opening Reception/Artist Talks:
Saturday, March 24, 2-5pm
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Kiki Gaffney, "Under the El," 2017,
oil and graphite on wood panels, 24 x 48"
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Kiki Gaffney
In the Presence of Light |
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Through March 31, 2018
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K. Imperial Fine Art is pleased to present its first solo show of the work of Kiki Gaffney. In the Presence of
Light will include both paintings and works on paper that center on manufactured and organic structures that
are in a state of decay and disrepair yet maintain an enhanced beauty. Gaffney's work gives relevance and
reverence to this beauty that often goes unnoticed, bringing it into the light. Yet it is light that contributes to
its decomposition. |
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READ MORE |
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Hadas Tal [American and Israeli, b. 1975], "Tower," 2017, oil on panel, 48 x 36"
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Hadas Tal
Recent Paintings
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